Proto-punk

Proto-punk
Proto-punk
Stylistic origins	Garage rock; pub rock;
Derivative forms	Punk rock; garage punk;
Fusion genres
	Glam punk
Other topics
	Acid rock; hard rock; punk blues; rock and roll; post-punk;

Proto-punk (or protopunk) is rock music from the 1960s to mid-1970s that foreshadowed the punk rock movement.^[3]^[4] A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes.^[4] The tendency towards aggressive, simplistic rock songs is a trend critics such as Lester Bangs have traced to as far back as Ritchie Valens' 1958 version of the Mexican folk song "La Bamba", which set in motion a wave of influential garage rock bands including the Kingsmen, the Kinks, the 13th Floor Elevators and the Sonics. By the late 1960s, Detroit bands the Stooges and MC5 had used the influence of these groups to form a distinct prototypical punk sound. In the following years, this sound spread both domestically and internationally, leading to the formation of the New York Dolls (New York City), Electric Eels (Cleveland), Dr. Feelgood (England) and the Saints (Australia).

^ Campbell, Neil (2004). American Youth Cultures. Psychology. p. 213. ISBN 0415971977. Furthermore, the indigenous popular music which functioned this way-and which represented in the same instance a form of localized resistance to the mainstreaming, standardizing drive noted earlier — was the proto-punk more commonly identified as garage rock.
^ Pell, Nicholas (January 26, 2012). "Deathmatch: Which Is Better, Pub Rock or Garage Rock?". LA Weekly. Retrieved August 1, 2016.
^ Bangs, Lester (1981). "Protopunk: The Garage Bands". In Anthony De Curtis; James Henke (eds.). The Rolling Stone Illustrated History of Rock & Roll (Second ed.). Picador Books. pp. 357–361. ISBN 0-679-73728-6.
^ ^a ^b Cite error: The named reference Allmusic was invoked but never defined (see the help page).

[1] Campbell, Neil (2004). American Youth Cultures. Psychology. p. 213. ISBN 0415971977. Furthermore, the indigenous popular music which functioned this way-and which represented in the same instance a form of localized resistance to the mainstreaming, standardizing drive noted earlier — was the proto-punk more commonly identified as garage rock.

[2] Pell, Nicholas (January 26, 2012). "Deathmatch: Which Is Better, Pub Rock or Garage Rock?". LA Weekly. Retrieved August 1, 2016.

[Bangs_(RS-2nd_ed./Garage)-3] Bangs, Lester (1981). "Protopunk: The Garage Bands". In Anthony De Curtis; James Henke (eds.). The Rolling Stone Illustrated History of Rock & Roll (Second ed.). Picador Books. pp. 357–361. ISBN 0-679-73728-6.

[Allmusic-4] Cite error: The named reference Allmusic was invoked but never defined (see the help page).

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Proto-punk
Stylistic origins	Garage rock^[1] pub rock^[2]
Derivative forms	Punk rock garage punk
Fusion genres
Glam punk
Other topics
Acid rock hard rock punk blues rock and roll post-punk